We are in a television studio, a warm-upper welcomes the audience and we practise when and how to clap. Then it starts, the intro is played on a video screen and the presenter of the evening is introduced: Kim, an investigative journalist Barbie doll with a penchant for adventure and clear words. And we learn what to expect: a mix of news coverage, show acts and reports on the subject of water. The main character of the evening does not speak: it is the cameraman who films the magnificent miniature scenic models made with simple means, which are then projected onto the screen. This takes us into outer space and a Texan desert or enables us to explore the Aral Sea, which is “recreated” on the body of a performer. It’s all quite ingeniously done – on the one hand the audience can see how the images are created and on the other hand the detailed projections thereof. Together, the two sets of images create a convincing visual language. In this way, Armada Theater conveys facts about water, for example what it is used for and in what quantities, what that means for the world, and what dangers human overconsumption of this finite resource could pose for our planet. It is almost embarrassing how much fun it is to watch this theatrical infotainment programme, which also includes commercial breaks, musical acts and live studio music.